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Conservation framing uses materials and techniques
that contribute to the longevity and beauty
of your valued original artwork, photographs and objects. |
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To achieve this we use: |
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Museum quality, 100% cotton mount boards and backing boards |
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All components of Rag Mat Board are completely acid-free and do not contain alum or lignin.
Cotton is used to make the finest types of paper and mat boards because it is the
purest form of natural cellulose. Rag is strong, requires less processing, has a
history of performance and it is an annually renewable resource, making it a better
product for our planet. |
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All mounting of artwork is fully reversible |
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Material used for mounting will not negatively affect the artwork |
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All mounting of artwork is carried out in fully
reversible processes. The characteristic of all material used for
mounting is such that it will not stain or negatively affect the
artwork. |
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Acrylic glazing which blocks up to 99% UV light |
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In most cases 99% UV blocking acrylic sheet glazing is recommended.
Acrylic glazing contains UV blockers for extreme colour protection. It is significantly
more break-resistant then conventional picture glazing and is also only half as heavy.
Alternatively museum grade UV blocking glass or non-reflective glass
can be used. |
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Polypropylene backing material |
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All frames are sealed with a polypropylene backing
material called Coreflute®, which acts as a moisture barrier
to protect your artwork. |
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Highest quality hanging systems |
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Stainless steel coated wire fixed with crimped
sleeves are used with safe adjustable D-rings.
Felt bump-ons on bottom corners are fitted to provide airflow between
the wall space and the frame while protecting the wall finish and
cushion the frame. |
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Close co-operation with qualified art conservators |
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We work in close co-operation with qualified conservators,
as in many cases the artwork will benefit from treatment.
Please refer to our 'Who
we work with' section. |
